Showing posts with label gamer comics. Show all posts
Showing posts with label gamer comics. Show all posts

Sunday, December 14, 2008

Dueling Analogs: Babbling Cintiqs

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This is Terrible
You Said It, Man
An artist should never blame his tools for his poor work. Accepting that personal shortcomings lead to a less-than-perfect product is the first step towards improving him or herself. Conversely, an artist should never expect his product to improve simply by acquiring some special tool. The Wacom Cintiq tablet is often lauded as the pinnacle of webcomic artistry. Many webcartoonists will needle their readers for donation money to "make the comic better!" Unfortunately, if your ideas are crap, there is no magical tool anywhere in the world that will make it enjoyable.

Dueling Analogs is, first and foremost, a gaming webcomic. We all know how trite and overused that concept is, but let's humor the creator, Steve Napierski, and review it like a real webcomic, shall we?

Artistically, Dueling Analogs is atrocious. Most characters are traced (or "referenced") from some piece of official art, and photoshopped around into some weird, jerky, awkward pose. Any original character designs look goofy, bizarre, or otherwise disfigured. And did you notice that all his slimmer character designs always wear turtlenecks? I guess Napierski just has no idea how to draw a proper neckline, so he just hides it with someone's fat head or anything else to disguise a character's neck.

Copy/Pasted Images Don't Really Require a Cintiq
You Need a Cintiq For This?
Of course the artist's skills don't really matter much when most of the comics aren't even being drawn. A large portion of Dueling Analogs's archive is comprised of these kinds of comics; pictures of consoles being copy/pasted into the comic and treated as actual characters. This is quite possibly the laziest thing a person could do in order to poke fun at how a console is being managed. Additionally, Napierski seems to have a strong inferiority complex, since he has a massive tendency to post strips where he apes another cartoonist's artistic style (unfortunately he still writes the same terrible jokes). There really is no humor in copying another's art, and it provides a poor substitute for actual skill, so why does Napierski insist on these ripoff strips? My only guess is that he is dissatisfied with his work and uses these strips to fantasize about being any cartoonist with more skill than he has. These two types of comics comprise about half of the Dueling Analogs archive

But the iniquity of Napierski's art is amplified by his audacity to ask for donations so he can purchase the aforementioned Cintiq tablet. Since nearly 75% of his art is traced and/or photoshopped, one wonders why he'd need a tablet at all. The air of desperation reeks around Steve Napierski, since he believes that this magical device will make him a better cartoonist. Sorry Steve, but the truth is, you'll only get better through hard work and practice (and this doesn't mean just making more terrible comics!). Take an art class or three, Steve, and maybe you can be just like your many heroes.

The key to writing a decent gaming comic is to remain unbiased. Poking fun at everyone will make it a lot easier for anyone to enjoy the comic (this goes for political comics too!). Napierski does a poor job of hiding his Sony Fanboyism, which makes him sound rather defensive or desperate in some strips. It also helps to have a unique viewpoint on the subject in order to avoid repeating a joke the reader has already heard before. This joke has been repeated in so many forms that it has officially gotten stale. Please stop rehashing it, guys. If you can't come up with an original joke (or at least one that's not quite so stale) then perhaps you should rethink your choice of hobby.

Ripping Off Other Artists...
Ripping Off Penny-Arcade Just Makes You Look Like a Tool
Other times, it becomes very difficult to identify just what Napierski is trying to convey. His inability to properly write a joke thwarts even the simplest strips, reducing them from "terrible gag" to "incomprehensible mumbling". He also has problems making the dialog concise enough to fit inside the panel. Solution? Just add speech balloons OVER the panel. It's the internet, who's going to know? Well I'm going to tell all of you that this is a crappy, inelegant solution. It is better to trim your script down so that it will fit than to just cram the words in any way you can. Why? People aren't going to want to read a novel just to hear a single terrible joke.

Dueling Analogs has fought tooth and nail to be at the bottom rung of the Ladder of Gaming Webcomics. Napierski has succeeded in this endeavor by placing other Gamer Comics above his own, through the act of giving them special references in his own comic. Imitation may be the highest form of flattery, but at the end of the day you're still just ripping someone off for easy hits. Besides, copying their work is not going to give you some grand insight into the deepest secrets of art. It's just going to make you look like a sleazy forger. The answer to self-improvement lies not in acquiring better tools, but learning how to use the tools you do have properly. As soon as Steve Napierski learns this basic fact, the his Analogs will finally be able to win a Duel.

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Sunday, November 09, 2008

Hijinks Ensue (In the Loosest Sense of the Term)

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Terrible webcomics are fairly abundant on the Internet, but most are not worth my time to discuss here. Some are so commonly reviled that I believe ripping into them would just be redundant on my part, and others are so uninspired that it's obvious they won't last long enough to give me enough to really work with. It is truly rare to find a terrible webcomic with enough of an archive to give me something to work with, that hasn't already been picked clean by the other vitriolic webcomic reviewers around. I believe I have hit a veritable treasure trove, however, with Hijinks Ensue, a wretched hive of MacFaggotry, pop culture addiction, and one guy in the corner yelling "INFORMATION WANTS TO BE FREE!!" Well, maybe it does, but this is a particular set of "information" that we should keep locked in a hidden vault underground to forget about forever.

Artistically, Joel Watson is atrocious. H.E. looks like some sort of hideous amalgamation of the late Movie Comics and the abominable Shredded Moose (which I will probably save for another day). The artist clearly has no confidence in his own abilities, since he feels the need to draw young GENERIC FOX PRESIDENT with the goatee seen in earlier panels, so the reader knows who the kid is. Facial expressions are stiff and unvaried, while poses are robotic and jerky, giving the characters a sense of realism not seen since robots enslaved humanity. Because of the terrible art, this joke falls flat, since a casual reader wouldn't know the difference between this Eli character and the original, without close examination. The guy needs to study some anatomy, because no one's neck should stick out like this, nor should one's eyes be haphazardly bulging from one's head. Unfortunately, the art is not the worst part of this comic.

Putting the art aside, there is still plenty of terrible in this comic. The excessive addiction to television and movies is offputting, especially since there is rarely a joke about either that can be made funny by a webcomic. First of all, most of the shows enjoyed by nerds generally make fun of themselves by being so terrible. But when a nerd tries to defend these shows by appealing to some universal code of dorkery, it's not funny or amusing, just depressing. Second, if you can't stop watching a show because it has turned bad (or always been bad) then you deserve whatever misery you receive. Lastly, movie and television jokes often require that the reader has watched the movie or show in question, and if he hasn't, it is rarely funny. Also, you can't include spoilers in the joke in case people are intending to watch it, but haven't yet, so that cuts down on quite possibly a million potential jokes. Ultimately, a comic about movies or television shows is usually not worth it, considering that it often ends up being a very weak joke that few will get (or want). Because they are passive media, you can't make jokes about simple mechanics like videogames can do, and aren't broad enough to encompass a large portion of readers like current events tend to do.

But worse than the pop culture minutia, I feel, is the torrent of incorrigible MacFaggotry that permeates this webcomic like grease on a pizza. The worst thing about Apple products is the smugness that surrounds its consumer base so thickly that you could cut it with a dull knife. Apple fans have a tendency to treat Steve Jobs as the second coming of Jesus Christ, and every product he craps out as manna from on high. They admittedly acknowledge that they will buy anything Apple releases despite whether they really truly want them, especially when they know that a better model will be released a year or so later. Instead of waiting until the value fits the price, Jobsians will buy up everything and get angry about it later. And when a product with even remote similarity to an established Apple product is released, such as Microsoft's Zune, MacFags get extremely butthurt about people getting excited about an alternative choice to their beloved Apple, and call it such things as "inadequate," "second-rate" and "crappy."

And then there's a bizarre amount of hypocrisy. Berating Microsoft for their latest ad campaign where they show the diversity of PC users as being "off-target," while the Mac ads have become increasingly negative makes me wonder if people like Joel Watson can even compare something as transparent as an ad campaign, or if they simply follow the Apple party line. Harassing Wal*Mart for selling DRM protected music when the iTunes store is essentially nothing but DRM protected media is stupefying. Shifting blame to the manufacturer instead of the distributor with baseless accusations is the kind of selfish fanboyism I've come to expect from the MacFags out there. I could go for days giving examples of Apple fanboys attacking other companies for "reprehensible acts" while defending Apple for those exact same acts. Vista is too restrictive with respect to the consumer experience? Better defend Apple's restrictions regarding the consumer experience!

And what group of Applefans would they be if they didn't have a completely unnecessary podcast? I listened to one or two and all I can say is "ugh." It's basically an amalgamation of all the jokes they couldn't frame as a comic strip, as well as boring, detached-from-reality commentary, much like the ones that can be found under the comic strips. Who wants to listen to this terrible comic as a podcast after reading this terrible comic as a webcomic? Not me, that's for sure. And I'm surprised that a webcomic run entirely by MacFags has such poor site design. Framed with massive ads, the actual strip is always pushed over to the right, where, if you don't have your browser window full-screened, requires that the reader scroll over to read it. How irritating! There is an additional sidebar on the RIGHT side, under the comic, where Joel Watson begs for donations followed by another ad. Joel even considers this atrocious comic his full-time job, and wants to increase his income from it to self-sufficient levels. Hey, if you want to make a little more money, just add a few more ads! Separate each blog post with an ad, sell ads in your podcast, just make more of them!

If you want to turn comicking into a sufficient source of income, you should be prepared to churn out more than 3 comics a week. You're going to have to bust your ass to make a living in this world, half-assing a comic without decent art or subject material and hanging out with your friends in front of a microphone is not going to cut it. Streamline your frontpage so that it isn't absolutely burdened with thousands of links and ads. A minimalist site design would serve you well, especially considering your intended audience. As you are now, Hijinks Ensue, you are the most basic incarnation of "terrible." Oh, and what the hell is this? Simplifying a candidate like this is insulting not only to the candidate, but also your readers. Do you not think they're smart enough to make this kind of decision based on actual facts, instead of simply following whatever you say? Well maybe not, since they think your comic is worth reading. Forget I said anything.

Hijinks Ensue is a webcomic that I find to be very valuable, not because it has any redeeming qualities, but because it has none. A truly terrible webcomic like this usually does not have a substantial body of work for me to review, and when one does, it is often already well-known enough that I would essentially be beating a dead horse. This comic is basically the worst I have seen all year, and I appreciate it for giving me something to review. However, now that I have reviewed it, I kindly ask that these hijinks cease ensuing, because they are not at all amusing, just noisy and annoying.

Tuesday Addendum: Oh god I had spent so long working on this terrible webcomic that a few things I intended to mention failed to make it in, because by the time I finished the penultimate paragraph, I was already trying not to vomit all over my laptop.

The blog posts that accompany every comic page are so self-fellating, so auto-congratulatory, I wonder if Watson's head would explode if someone informed him that he is NOT the center of the Internet. They also end up inadvertently explaining the joke in case someone didn't get it (and wanted it in the first place). Lets face it, Joel, you're not that clever, so quit patting yourself on the back. Just stick to related topic links and pull your head out of the clouds. Oh wait I forgot that Mactards can't comprehend the concept of separating their ego from their writing. My bad.

One page in particular raised my ire, and it's something I have railed against before. Some webcartoonists don't grasp the concept of Services. You PAY people to do things so YOU don't have to. Even if it is something as menial as printing out your awful comic to glossy paper. If you don't like paying the service charge, then just roll up your sleeves, buy the supplies you need to do it yourself, and GET TO WORK. No one is forcing you to go down to Kinko's to print out a comic to sell to schmucks for an extra $10 in your pocket. It's not like you're even selling the original artwork. I guess all the idiots really do have too much money.

I apologize for missing these two atrocious aspects of this comic the first time through. I guess I'm going to have to start writing an outline down on paper beforehand to make sure that all my vitriol is fully expended the first time through.
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Sunday, September 07, 2008

Aikida: Girls Don't Really Play Video Games, You Know

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There are a million and twelve gamer comics out there. They all fit the same archetype: Two guys playing video games on a couch with a token girl and a few gamer friends that only show up to be strawmen. So how does a gamer comic try to differentiate itself from the herd? Creative Jokes? Nice Art? Character Depth? No, those are ridiculous ideas. The best solution is to simply switch gender roles around. I mean, girls playing video games? That's hot.

Aikida follows all the gaming comic tropes, and repeats all the common jokes. MMOs are like crack, CEOs are crazy and irrational, most or all gamers are actually attractive, and of course the classic "playin video games on the couch." Of course since it stars TOTALLY HOT CHICKS instead of guys, it's completely new and innovative and should receive loads of positive attention from the webcomic community for breaking the mold of gamer comics, right? Not quite.

First of all, Josh Meinzer is gonna have to get better at drawing techniques such as "anatomy" and "consistency." All of the girls' boobs look like someone stapled water balloons to their ribcage. Female characters are astonishingly longwaisted. Certain facial expressions lead to them having a particularly more mannish jawline than they should have. The female poses are usually hideously unnatural, as the artist tends to have them hold their arms behind them like they're mentally deficient. Also his fire looks like someone painted a porcupine orange and then drew that while having a seizure.

Aikida has a very weird peculiarity. It jokes about pedophilia. Like, way too much. Creating a 17 year old who claims to be 15 just to torment male characters is a bit weird. Like it's a fetish. If it had been a one-off thing it would have just been a weird joke, but continuing to write the character as a woman-child drives this train through Creepyville and straight into Predatortown. Sending this two-inch tall childish girl (with quite a masculine jaw) over to frustrate the male neighbors may seem like a harmless prank, but having one character insinuate that he's going to masturbate after the incident is indicative of the author's pedophilic desires and gives us an unsolicited peek at the contents of his porn folder.

Aikida is simply another gamer comic trying break the mold with a layer of fresh paint. Creating a backstory for each character might be useful if the factoids were utilized ever, or in the case of the title character, followed at all when considering her appearance. A large-breasted, tan, and large-framed Irish/Japanese Canadian makes about as much sense as putting a jet engine on a laser printer. In addition, ripping off character details from Charles Schultz's most popular character is never a good idea. In the end we simply have a female version of the traditional gamer comic, a novelty gimmick that doesn't really add anything to the incredibly oversaturated genre. If you find yourself with this one, feel free to trade it in for something more innovative.
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Sunday, August 31, 2008

Hockey Zombie: Two Terrible Tastes That Taste Terribler Together

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What do you get when you take a regular webcomic and give it a shitty writer? Well a lot of webcomics come out of that formula, I suppose, but one result is Hockey Zombie, a comic which combines zombies (on which my views have already been expressed) and hockey (on which my views don't need to be expressed because hockey is a dumb sport played by Canadians who can't be bothered to play something resembling a real sport. Chris van Gompel decided to combine these two atrocities in some sick, twisted effort to create the biggest atrocity in the history of atrocities.

Hockey Zombie has so many terrible strips it is hard to know where to begin. I guess blatant racism would be a good start, though. HZ also qualifies as a gamer comic. Heh. Portal. Unfortunately, most of the game comics don't require the game reference at all. Others are just plain disgusting. Some are both. None are good.

Van Gompel likes to think himself as some great crusader for Internet Justice. By jumping on the bandwagons of hating e-famous villains, he obviously hopes to pull in more readers and gain e-fame himself. Not so sadly, no amount of hatred bandwagoning will make Hockey Zombie popular, and maybe van Gompel should just focus on making shitty comics without a political agenda.

Another failed attempt at garnering e-glory can be seen in Hockey Zombie's technically annual Shark Week, where van Gompel rotoscopes some fucking sharks and puts retarded words in their mouths. The sharks always look terrible, and the jokes never take advantage of the sharks. Effectively it's a dumb, half-assed gimmick that doesn't accomplish anything.

The thing about Hockey Zombie is that it started out as a serial with a really dumb plot. However, as time progressed the comic was interrupted by more and more one-off pages, and pretty soon the "plot" was forgotten. That's okay, it was terrible. It was just a bunch of zombie jokes that have been told an infinite number of times until they got so old that they were in a nursing home when John McCain was born. But what it was replaced with was a terrible amalgamation of awful gimmicks and shitty cheap gags.
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