1977 follows the story of 4 twenty-somethings who smoke illegal marijuana and attempt to play in a band. Of course, I have to take their word that they're in a band, seeing as how they're never portrayed as actually playing in a band. The closest they get is performing activities that bands do, such as driving out to shows, try to find someone else to do the hard work for them, and sell illicit drugs. However no pages have actually shown the characters during or immediately after one of their alleged "shows." Effectively, when a story arc begins involving the musical aspect of the strip, suddenly the plot ends and we cut to a character shooting up LSD.
This would be forgivable if the generic plots were halfway decent. But if that were the case, then I wouldn't be writing this review. 1977 managed to last a whole three months before introducing a gimmick where the male lead suddenly genderswaps. I was hoping that when the plot resolved, this gimmick would be shelved eternally, but you and I are not so lucky. The spontaneous sex changes have been used repeatedly in lieu of jokes, when the cartoonist needs a way to introduce a plot point. The first clue should have been how the ridiculous story was ended with a tenuous reference to The Incredible Hulk. In fact, it seems that the majority of 1977's plot is fueled by nothing more than pop culture references. Don't get me wrong, the occasional reference is fine for the sake of making a gag, but for actually driving a story, it's like building a skyscraper on quicksand.
Artistic anomalies are not limited to the fact that everyone has the same hair; the eyes also lead to a disturbing conclusion. While female characters are given decently expressive eyes, male characters are given soulless, pupil-free eyes. This kind of disconnect between his depictions of the two genders indicates some degree of sexism inherent in the mind of the cartoonist. This is further evidenced by the fact that his sexswapping character exhibits the same differences between his male and female counterparts, which, aside from making it difficult to mentally connect both versions, seem to further indicate that the cartoonist sees a fundamental difference between the two genders.
This extends to all the other pop culture references found in 1977. All sources of entertainment were incredibly vacuous, and it takes an extremely vapid, drug-addled mind to remember any of them fondly. To be honest, that is true of everything today and will be true for all of eternity, but that's another matter entirely. The point we're making today is that the 70s were an uninspired era, and any fond remembrance of them is clearly the work of illicit substances.
Nostalgia has never been a great premise for a comic strip. It's usually just a mask for poor writing, and often uses references in place of actual plot progression. This transgression is further amplified by choosing an absolutely absurd era to be nostalgic about, a time when the people driving culture were so focused on themselves, chasing that next high, rather than improving society in any meaningful way. So remember, when you're coming up with the idea for your next webcomic, avoid basing it on your own nostalgia, no matter how appealing television might make it seem. And remember to pass on the grass!
No comments:
Post a Comment